75-77 BEAK all standards have been established and a new school was about to reap the benefits from artistic foundations established by previous generations and a city in the midst of a fiscal crisis. New York was in ruin and therefore the transit system remained bad. This led to the biggest attack in the history of graffiti. Currently the bombardments and the style began to further differentiate. All cars became a standard practice rather than an event. The bombing is a style together in the form of bubble letters. The Graffiti Crews of the POG, 3yb, BYB TC, TOP, began to appear and make important contributions to the graffiti. TEE, IZ, DY 167, PI, in, you, A, OI, also known as Vinny, TI 149, CY, OPE FI.
The writers became very competitive. Everything broke out to see who could make more pumps style Renaissance 1978-1981 a new wave of creativity flourished at the end of 1977 with the crews of graffiti as TDS, TMT, UA, MAFIA, TS5, CIA, VAM, TMB, TFP, TC5 and rf5. Style Wars were once more at peak hours. It was also the latest wave of bombings before the transit authority, the Elimination of writing fact a priority. On Broadway, chain 3, Kool 131, father, with part 1 167 and were expanding in the styles established by writers as phase 2, RIFF 140 and PEL. CHAIN later went to lines 2 and 5 with the TMT team. In the tradition of the style of the works of TMT war they were offset by the CIA.
Survival of the fittest 1982-1985 during the first half of the 1980s culture of writing deteriorated dramatically due to several factors. Some directly related to the culture of the graffiti itself and others to major society in general. The crack cocaine epidemic was taking its toll in the center of the city. firearms of powerful due to drug trafficking were available. The climate in the street became increasingly tense. Laws that restrict the sale of paint to minors and requiring merchants to place the closed cage spray paint makes it more difficult to steal in shops. Legislation was in the works to carry out more severe penalties for graffiti. The most important change was the increase in the budget anti-graffiti of the Metropolitan Transit Authority. Trays and yards were more closely guarded. Many areas of the painting in favour became almost inaccessible. New more sophisticated fences were erected and were quickly repaired when damaged. removal of graffiti was stronger and more consistent more than ever, by what the useful life of the paintings not lasted many days. Estro frustro to many writers. Many others were not so easily discouraged, however, were affected. Perceived the new situation as a challenge, decided to be not defeated by the MTA. Due to the lack of resources that I have to be to the cres extremely territorial and aggressive, they claim ownership of shipyards and trays. territory, claiming it wasn’t anything new in writing, but the difference at the moment is that the threats were met the 1985 – 1989 A mid DIE Hards of 86 the MTA was winning the game. Many writers left graffiti and decreased violence. Security was high and new a new template vandalism was born. GHOST, SENTO, CAVS, KET, JA, VEN, REAS, SANE, SMITH were prominent figures and would keep alive the culture of the graffiti.